The Value Of Chinese Language - 1322 Words

The value of Chinese Language The knowledge of Chinese language opens many new perspectives for the people who have good command of this language. First of all, Chinese language opens the way to different important fields. These include: Chinese politics, economy, history or archaeology. The knowledge of Chinese language can help to study the unique culture of the ancient civilization. At the heart of Chinese civilization is its rich heritage of novels, short stories, poetry, drama, and other pieces of literature. One should also not to forget about the fact that language itself reflects the values, the struggles, the sensibility, the joys and the sorrows of this great people. Also, it offers insights even into the most intimate feelings†¦show more content†¦The estimations show that about one fifth of the planet speakers speak Chinese. The dominant language in the country is Mandarin language. This language is spoken by the most influential Chinese communities of Indonesia, Thailand, Malaysia, Singapore, Brunei, the Philippines, and Mongolia. At present, China has achieved the major dominance in the world. Chinese Language In this part of my paper I want to draw your attention to some surprising facts that pertain to the Chinese language. The research shows that the Chinese language has a relatively uncomplicated grammar. Contrary to French, German or English, Chinese has no verb conjugation (in other words tense inflection). Also, this language has no noun declension, including gender and number distinctions. While learning Chinese you do not have to memorize different verb forms of â€Å"tell/told/told.† Under such circumstances, all you have to remember is just one word: kan. Also, while learning English a person has to distinguish between â€Å"hat† and â€Å"hats†. In Chinese we have a totally different situation. The only form that is present in this language is the word mao. The basic word order of Chinese is subject is the verb object. The object exists just in the same form as it exists in English. The research proves that there is quite a number of the key terms. These are concerned with Mandarin

The Corporation - Ethical Analysis - 2751 Words

Traits associated to a psychopath include irresponsibility, manipulation, grandioseness, lack of empathy, asocial tendencies, inability to feel remorse, refusal to take responsibility for ones actions and superficial relations with others. Modern day corporations display every one of the previously listed characteristics. Is it right that an institution, whose power now rivals that of the State that once created it to seek the better welfare of its citizens, display the psychological traits of a dangerous personality disorder? Many say no: there is a rising discomfort with the corporation and its pervasion into every sphere of human life and it is this uneasiness that has prompted many academics to further study the corporation and its†¦show more content†¦The problem with the personification of the corporation was the kind of person it would become. The best interest of the corporation concept which is now enshrined in most countries corporate law pushes the mantra that executives only goal is to maximize shareholders profits. This has given the corporation a self-interested, uncompassionate personality that promotes its limitless pursuit of profit and power. Corporate social responsibility has been one the key business buzz words of the 21st century. Consumers discontent with the corporation has forced it to try and rectify its negative image by associating its name with good deeds. Social responsibility has become one of the corporations most pressing issues, each company striving to outdo the next with its philanthropic image. People feel that the corporation has done great harm to both the environment and to society and that with all of its wealth and power, it should be leading the fight to save the Earth, to combat poverty and illness and etc. Corporations are now expected to deliver the good, not just the goods; to pursueShow MoreRelatedStakeholder Analysis Essay1335 Words   |  6 PagesPRIVATE PRISON CORPORATION OF AMERICA Nowadays, we are facing a major experiment in privatization. For example, private companies have entered the business of managing public schools, or religious schools. Also, they even run in prison industry. Among them is Private Prison Corporation of America, which is growing fast in prison industry in the United States. Especially, immigration detention business has brought up massive profit for Private Prison of America. 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Rock and elaborate spectacle Free Essays

â€Å"Editors of Rolling Stone later summarized, ‘Rock ‘n’ roll has always been a frank and sometimes vulgar music, with plenty of things for its critics not to like.’ † (Fore 1999:96). There is no doubt about it. We will write a custom essay sample on Rock and elaborate spectacle or any similar topic only for you Order Now Rock and elaborate spectacle were meant to be together; Like chocolate and red roses on Valentine’s Day†¦ only more dysfunctional (where the roses are tattoos and the chocolate gets to be licked off someone). From Elvis’ swiveling hips to Jimi Hendrix making love to and then â€Å"sacrificing† his guitar (to whatever) by setting it on fire and smashing the hell out of it to KISS and their incredible costumes and make-up to Prince and his ass-cheeks-cut-out pants to etc. All part of the random theatrics enthralled fans expect from the rock show. The more attention you can get, the better your chances of becoming a rock star. Welcome to the world of glam rock. â€Å"We just get out there and rock. If your amp blows or your guitar packs it in, smash it up and pick up another one. And that’s how it always was with us. We can’t even stop and tune up. Those kids are all wound up. A second or two is too much for them. They’ve gotta have it.† -AC/DC guitarist Angus Young (Friedlander 1996:232) The simplest, most recognizable used form of rock spectacle is, of course, the destruction of thousands of dollars worth of instruments and sound equipment for the pure sake of breaking or blowing â€Å"shit up† (although in some instances, as in the case of Jimi Hendrix, it is a sign of respect). No one is really sure who first started this phenomenon (actually no one can agree) but rock fans have seen this act about a million times over, still remaining shocked and amused by the simplicity and perverse beauty of it. In fact, many people believe that you have not truly earned the title â€Å"Rock Star† until you have broken some piece of equipment in front of a live audience elevating the act to not only a way to satisfy the spectators’ craving for damage but also to initiate yourself into a select few. And why not bang the hell out of a five thousand dollar guitar or nail all the furniture in your hotel room to the ceiling? You can afford it! Furthermore, as a rock star you are expected to be wild and do the things the average fan could only dream of doing. However, breaking guitars was only the beginning of rock’s more aggressive attempts to shock the audience. While the act is still pretty cool to witness, by the 70’s, rockers were ready to shock the hell out of you instead of just make you jump. Which leads us into make-up, hair, costume and the adoption of an outer-worldly persona. â€Å"Absent were the flower children and euphoria of psychoactive enlightenment, replaced by personal narratives of heroin addiction, ghetto drug connections, and sexual perversity. These shocking explorations of self-destructive behavior tested society’s cultural sensibilities; they also didn’t have much of an impact on the rock/pop mainstream.† (Friedlander 1996:250) The first band to come to mind when 70’s rock, make-up, and costumes collaborate are the Knight’s In Satan’s Service, or more commonly known by their abbreviation: KISS. KISS, like many glam rockers, performed to huge stadium audiences. They had to be larger than life to get the attention of all the people in the middle and back rows as well as the front. Furthermore, their personas were highly marketable (From t-shirts to comic books to action figures, etc.). Despite their name and appearance though, their songs such as â€Å"Rock an’ Roll All Night†, â€Å"Detroit Rock City†, â€Å"Calling Dr. Love†, were tame compared to the likes of Iggy Pop or David Bowie. â€Å"David Bowie’s The Rise and Fall of Ziggy Stardust (1972) carries advice on the back cover: TO BE PLAYED AT MAXIMUM VOLUME.† (Gracyk 1996:100). The epitome of androgyny, Ziggy Stardust was Bowie’s first persona, an intergalactic rock star, with orange hair, make-up, and futuristic costumes, trying to save the world but doomed to fail (Campbell 1999:196). As with all his personas, the music on the album served to complete his mysterious character. Fans could probably guess that Gene, Paul, Ace, Peter, Eric, and Vinnie of KISS did not walk around all day in their outfits but Bowie could play his part so well that it was hard to tell whether or not he was only trying to be the most outrageous or if he was like that in the real world too. † ‘As we approach the ‘8o’s, the country is literally laughing, dancing, jogging and dressing up again. We have entered The Glitter Era.’ † -John Davidson (Calder 1992:274) Androgyny became a trend in 70’s rock that held over into 80’s rock. It was the ultimate way to shock your audience and make a statement. In the 70’s there was of course, Bowie, Marc Bolan, Freddy Mercury, and the immensely popular Rocky Horror Picture Show featuring everyone’s favorite transvestite from the planet Transexual in the galaxy of Transylvania, Dr. Frank N. Furter. The 80’s brought in Prince, Boy George, Grace Jones, and sometimes Madonna. All challenging society’s set gender roles. Why androgyny though? Many say that rock music itself, while still predominantly performed by males, is an androgynous form of music because it combines all other forms of music considered â€Å"male† or â€Å"female†. Others maintain that the trend was in response to the sexual revolution. Though these rock shockers succeed in getting the attention they so adamantly strive for, the most successful rock stars had always been presented as â€Å"real people.† The illusion that we could know the real Elvis, McCartney, or even the real Monkees was fostered by such superficial means as fan magazine interviews or facts on the back of bubble-gum cards, but it was also implicit in Elvis’s insistence on his own style of recording the songs of others, and explicit in those performers who wrote their own songs. (Shumway 1992:131) Still, the diversity and color that glam rockers add to the spectrum is not something to discourage. Many fans strive on the fact that their heroes are super heroes, gods and goddesses with fantastical powers who they can fantasize about being. Who wants to be a â€Å"real† person all the time anyway? We get to be that everyday. How to cite Rock and elaborate spectacle, Papers